Cheers that means a lot - and thanks for being up for celebrating with us. The big idea behind the project was always pushing forward, and blindly, into the unknown and with that the band has evolved tenfold since the release of PL, but by building directly off of the musical foundations our debut record laid for us. PL essentially set the scene and tone for everything that followed.
What made you want to go the extra step and make a whole immersive evening of it? Manyyyyy bands are more than happy to turn up, play a record front to back, and call it job done… not you guys. What is it about Planet Loss that made you want to go the extra mile for its anniversary?
We have always strived for that "cut above" in all aspects of WALLOWING; from the music to the artwork, the live shows to the merchandise, so this came very naturally to us. We admittedly haven't tackled something as unique as this though and there are considerably more moving parts, so it's a nice challenge, great learning experience and huge inspiration for the bands live show in future. The record itself is of course where it all began for us and we are very thankful for the support it received on release and continues to get, the opportunities it brought our way and the friends we have made through it. If that isn't worth celebrating on style I don't know what is.
Can you reveal any of the immersive aspects of the show, or is this being kept under wraps to surprise everyone on the night?
You can expect all the usual WALLOWING oddities and curiosities - from a smog cannon to the face to obscure exclusive merch and more. We will be drip feeding various elements of the evening via our socials in the lead up to the event, so keep an eye on that to be the first in the know, but expect the unexpected, there will be a surprise or two...
After FINALLY getting you here last year for that killer show with Wren and Warren Schoenbright, we can’t get enough of you! But what made you want to come back to The Black Heart specifically to do this show?
We have always loved The Black Heart, from watching our favourite bands in the live room to the class choice of drinks in the bar and our first aspirations to play in the venue. Both ourselves and Matt (venue manager) have been back and forth for years - first we couldn't make proposed dates, then COVID hit and cancelled the dates we COULD make, so it's been a lengthy process that we have thankfully corrected since last year - we managed to also play this year’s Incineration Festival stage at BH so have definitely been making up for lost time in our favourite Camden venue.
In the years since PL’s original release your profile has rightfully grown and grown - Would you say that this show is more for those ‘Day One’ fans to relive the experience, or to bring your new disciples on their first voyage to Planet Loss?
Oh totally a bit of both! There will be enough to please any *hardcore* fan of PLANET LOSS that's for sure, you could say that this event would be the definitive way to experience it live. We also felt that given the platform we are lucky to have with Church Road Records, releasing last year's 'EARTH REAPER' (a sequel to PL) with the label, it was worth going all out on this half a decade anniversary of the debut as we have this rad new audience we can hopefully tap into, who may not have even heard the debut before!
From your own perspective, what’s it like being the band that have now gone where you went on Earth Reaper and are going where you’re going with Restless Dusk and going back to revisit Planet Loss? Are there things that you guys now bring to that material that you didn’t before? Has there been anything learned/realised when going back to this material?
Diving into the unknown is a hell of a lot of fun but it does have its risks, trials and tribulations. Our music has a heavy experimental element and we always try every idea brought to the table. Some things work in context or don't, somethings work outside of the context but not in the grander scheme of the music, we always try to feel this out as best as we can before we get to recording, but we are all big kids and like to have a play in the studio also - some times you don't really know if something does/doesn't work until you bash out a version in the studio and play it back. Each time we enter the studio we always have a new toy to play with, likely some batshit noise element too, which is another can of worms. This freedom yields some real awesome results and definitely opens our eyes to possibilities moving forwards. Then there's the times it simply doesn't work and you have to scrap the idea altogether! This is totally necessary though, as if we didn't allow ourselves the freedom to express ourselves exactly how feel at that exact moment, our music would get very boring very quickly and we wouldn't be any closer to honing into the sound we want.
The grander overview is that when you listen to our music chronologically you get a real feel of the expanding growth and scope of it all - a keen ear may hear ideas on PL that we liked and expanded upon in ER and our split record with Slabdragger, but also ideas that we thought "let's not do that again" and totally steered clear of on latter records!
We’ve been dying to ask someone this, and you lot might be better placed to answer than anyone else we know… What does outer space smell like?
Unfortunately - stale weed and sweat, or that could just be the space suits.